Our knowledge of art and architectural history as well as our generations of hands on experience with the methods and materials of period artisans enables us to conserve original decorative finishes without sacrificing their unique character.

Our Methodology

  • Determine the original appearance of the surface in terms of color and sheen.
  • Locate areas where the original finish has not been disturbed.
  • Consult historic photos when available
  • Conduct microscopic analysis to establish the existence of original glazes or later adjustments to the finish
  • Develop a detailed multi-disciplined treatment program to accurately preserve what a finish looked like when first applied

As members of the AIC, our work is completed in accordance with generally accepted conservation guidelines, such as those identified in The Code of Ethics and The Guidelines for Practice of the American Institute for Conservation of Historic & Artistic Works, as well as the Secretary of the Interior’s Standards for the Treatment of Historic Properties.


Related Projects

The Breakers: Ceiling Painting Conservation

Rhode Island

The Breakers dining room project was completed in several stages. It involved the cleaning and conservation of the fine art ceiling painting "Aurora Welcoming the Dawn,"  along with conservation of the adjacent wall murals and gold leaf.  Additional work involved the cleaning and inpainting of the faux marble overmantel and...

Dining Room at Wilderstein Historic Site: Wood Finish Conservation

New York

The conservation of the Wilderstein dining room wood paneling and plaster ornament involved dust and soot removal, ailed plaster ornament restoration, and repair of failed wood finishes. The latter were on part of the ceiling and were damaged by a radiator failure. Since the original finish on much of the...

Salem Probate Court: Ornamental Metalwork Conservation


In the renovation of this late nineteenth century courthouse, it was decided to conserve and restore the faux finished ornamental grillwork and stairs that provided access to the basement and second floor. The structure was steel, faux finished to look like patinated bronze. The first step to this metal finish...

Erie Club: Gilt Bronze Chandelier Conservation


This project, undertaken for the Erie Club, involved the conservation of two chandeliers/gasoliers fabricated by Archer and Warner of Philadelphia during the last quarter of the 19th century.  While one of the fixtures was conserved in situ, the second larger chandelier was removed for conservation offsite. Over the years, much...